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Reports & Resources

Download Annual Report & Accounts July 2023
Impact Report 2023-24
Download Annual Report & Accounts July 2022
Download Annual Report & Accounts July 2021
Download Annual Report & Accounts July 2020
Download Annual Report & Accounts July 2019
Download Annual Report & Accounts July 2018
Download Annual Report & Accounts July 2017
Download Annual Report & Accounts July 2016
Download Annual Report & Accounts July 2015
Impact Report 2022-23
Impact Report 2018
Impact Report 2019-21
Impact Report 2021-22
Institute of Education Evaluation 2014
Download Children’s Comments 2019
Download Quotes from children and teachers – Chamber Orchestra Workshops 2018
Complaints, Concerns and Whistleblowing Policy
Equity, Diversity & Inclusion Policy and Action Plan
Safeguarding Policy
Safeguarding Procedures for Musicians
Serious Incident Policy
DAVID”S ARTICLE
Vibrato in Baroque and Classical Music - time for a rethink? ARCO Magazine, Spring 2024 p 14-17
ORIGINAL SOURCE MATERIAL
Leopold Mozart, Violinschule (17 - Chapter XI p. 241 on pdf (p. 203 in original book)
Marin Marsenne, Harmonie Universelle (1636) Premier Livre, Part 2, (4) Livre 1 Des instruments, Proposition 4, Page 11
Jean Rousseau, Traite de la viole (1687) p.74 onwards
Geminiani The Art of Playing on the Violin (1751) p.8 (The Close Shake)
Joseph Joachim, Violin School p.96 (quoting Spohr)
Carl Flesch, Problems of tone production in violin playing (1931) p.12 in the original, p.13 in the pdf
ARTICLES AND BOOKS
Robert Donington, A Performer’s Guide to Baroque Music (1973)
Frederick Neumann, The Vibrato Controversy, Performance Practice review (1991)
Beverley Jerold, Good Vibrations, The Strad 2005
Beverly Jerold, Distinguishing between Artificial and Natural Vibrato in Premodern Music, Journal of Singing 2006
David Montgomery, The Vibrato Thing (2003)

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Welcome to our new Trustees